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Architecture of India    
Post Colonial India
and its Architecture - III 
(Page 2)
An Architecture for a Socialist State
by Ashish Nangia

This experiment with ‘vernacular’ material and scales is continued elsewhere, in the Indian Institute of Management, Bangalore by Stein, Doshi and Bhalla, several buildings in Rajasthan (including the University of Jodhpur - Image below) by Uttam C. Jain, as well as a neo-Corbusian aesthetic in the Shriram Center and Akbar Hotel, both at Delhi, by Shivnath Prasad. 

Conclusion
 
To sum up, most of the architectural production of any significance till the 1990s is marked by a certain commonality of factors: firstly sponsored or commissioned by the State and its organs, and secondly the search for an appropriate aesthetic fluctuates between two extremes – that of a completely ‘international’ vocabulary of Modernism (such as Prasad’s Akbar Hotel) and an attempt to reinterpret the vernacular on the other (exemplified by Correa’s Crafts Village). 


Jodhpur University.  Notice use of local material for finishes.

However, most architectural production is a balancing act between these two poles – a form dictated by the exigencies of universal standards of space (stadia, exhibition spaces, and convention centres) and construction and aesthetics influenced by what is actually possible on the site. 
 
These mixes, when juggled elegantly and with flair, has resulted in elegant or in horribly clunky structures that have only got worse with time.  It is perhaps best here not to point out examples – suffice it to say that many of the larger cities in India are littered with architectural horrors from this period that are a blot on the cityscape and serve to efface the many fine and sensitive examples time that co-exist side by side.
 
It is ironic that the same State that professed a social agenda has been responsible, in many cases, for an urban landscape that has done little to help minimise the inequality that vowed to eradicate.  Fortunately this is an issue that is increasingly being debated in the work of younger professionals today.

April 9, 2006 
 
Images from Bhatt, Vikram and Peter Scriver. Contemporary Indian Architecture: After the Masters.  Ahmedabad: Mapin Publishing: 1990.

Previous Page 

Top | Architecture of India      

The Week of April 9, 2006      
United States Congress at Critical Crossroads with India Dr. Subhash Kapila
Nuclear Deal Hurdles : It's The Politics, Stupid! by Rajinder Puri
Bangladesh's Foreign Policy Approaches to India by Dr. Subhash Kapila
US Market Horizon and Gathering Storm Clouds by Gaurang Bhatt, MD 
Indian Federalism in Troubled Waters by Prasenjit Maiti
Jail Di Galli Vich No Entry by Usha Kakkar
Caste Wars II by Usha Kakkar
Democracy Dying by J. Ajithkumar 
The Zero That Was India by Kamesh Ramakrishna Aiyer  
      Answer to Puzzlement About Zero by Gaurang Bhatt, MD  
Of Spices and Magical Realism by Rajgopal Nidamboor
Post Colonial India and its Architecture - III  by Ashish Nangia
Ancient Mangroves in the Womb of the Present by V.K. Joshi 
Celebrating Culture by Neha Girotra  
Sharing and Young Children by Garima Gupta 
The Poetry in the Moors by Dr. Amitabh Mitra 
Ain't No Cure For Love by Vinay Chandran
The 'Feminization' of Menswear by MH Ahsan
Liberating the Nuns by Mehru Jaffer   
Smart Streets, Shattered Lives by Nitin Jugran Bahuguna
Keeping India's Hands Clean by Kaushiki Rao 
Power Trip : Bollywood Masala by MH Ahsan 
New Generation Sisterhood by Neena Bhandari 
Apa's Survival Mantra : A Profile of Angela Gomes   
Router : An Introduction by Ruchi Gupta 
Lakhnawi Itar by Rajsaran Varma
  

 

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