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Hinduism 
Panchkanya
Women of Substance – 27

Going to the root of the modern problem of insecure marriages, Jung pinpoints the cause as the desymbolized world we live in now in which man struggles to relate to his anima “outside” himself by projecting her on numerous women although, paradoxically, she is the psyche within that he must commune with. That is perhaps the message hidden behind the hint to keep ever fresh the memory of the five maidens so that we become conscious of the anima-projection.

In this context Nolini Kanta Gupta’s study of these maidens is of importance and tallies quite remarkably with the Jungian insight into the meaning of being a virgin. He points out, “In these five maidens we get a hint or a shade of the truth that woman is not merely sati but predominantly and fundamentally she is shakti.”[[1]] He notes how the epics had to labour at establishing their greatness in the teeth of the prejudice that woman must never be independent, but always be a sati, known for her single- minded devotion to her husband. This he describes as the subjugation of Prakriti to Purusha, typical of the Middle Ages. The most ancient relationship, he says, was the converse: Shiva under the feet of his goddess-consort. In Mahabharata we find confirmation of the freedom enjoyed by women in the past. In the Adi Parva Pandu tells Kunti:

“in the past, women

were not restricted to the house,

dependent on family members;

they moved about freely,

they enjoyed themselves freely.

They slept with any men they liked

from the age of puberty;

they were unfaithful to their husbands,

and yet not held sinful…

the greatest rishis have praised

this tradition-based custom;…

the northern Kurus still practise it…

the new custom is very recent.” (122.4-8)

Pandu narrates the story of Uddalaka explaining to his outraged son Shvetaketu, when his mother is taken away by a Brahmana in their presence,

“This is the Sanatana Dharma.

All women of the four castes

are free to have relations

with any man. And the men,

well, they are like bulls.” (122.13-14)

The account of Ulupi’s and Urvashi’s behaviour with Arjuna and of Ganga’s with Pratipa are instances of the type of freedom characterising the kanya’s nature. In these kanyas we find the validation of Naomi Wolf’s celebration of women as “sexually powerful magical beings”.[[1]] By the time of Pandu, however, the Aryans settled around Sarasvati-Yamuna had started looking down upon their Northern brethren and even classed them—such as the Madras—with Mlecchas, non-Aryans. Karna lashes back at Shalya criticising the loose morals of Madra women who go as they will with any one they fancy.

“We moderns also”, continues Nolini Kanta Gupta, “instead of looking upon the five maidens as maidens, have tried with some manipulation to remember them as sati. We cannot easily admit that there was or could be any other standard of woman’s greatness beside chastity… Their souls did neither accept the human idea of that time or thereafter as unique, nor admit the dharma-adharma of human ethics as the absolute provision of life. Their beings were glorified with a greater and higher capacity. Matrimonial sincerity or adultery became irrelevant in that glory… Woman will take resort to man not for chastity but for the touch and manifestation of the gods, to have offspring born under divine influence… a person used to follow the law of one’s own being, one’s own path of truth and establish a freer and wider relation with another.”[[1]]

At the opening of the new millennium are we too not moving cyclically towards a similar condition where the relationship between a man and a woman is not permanent and exclusive externally, where the sexes mingle freely, expansively, on equal terms, progressing towards fulfilling one’s potential as in the pre-Shvetaketu days? That is why the exhortation to recall the five virgin maidens is so relevant now. The past does, indeed, hold the future in its womb.  

Pradip Bhattacharya
March 22, 2001

Mercury Lodge,   AD-64, 1st Avenue, Sector-1, Salt Lake, Calcutta 700064, India
 

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Panchkanya Pages : 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15
                                16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27  

Now also in Hindi at  http://www.hindinest.com/visheshank/01stri/panchkanya1.htm
Now also in French at http://www.neurom.ch/mbh/kanya.pdf 

See Also : Panchkanya of Indian Epics : A Critique by Saroj Thakur 

 

References :

[[i]] P. Bhattacharya: The Secret of the Mahabharata (Parimal Prakashan, Aurangabad, 1984), p. 3.

[[i]] Harivamsha, Vishnu Parva 90.76-77.

[[i]] P. Lal: The Mahabharata (verse-by-verse transcreation) Writers Workshop, Calcutta, 1968 ff. All translations are from this version unless otherwise specified. References to the Sanskrit text are to the Aryashastra (Calcutta) edition.

[[i]] M. Esther Harding: Woman’s Mysteries, Rider, 1971, London, p. 103

[[i]] She is of the Dasa race. Bhishma explains in the Anushasana Parva 48.21 that offspring of a Nishada and a Sairandhri (an orphan working as a servant maid) of Magadha are called Madguru or Dasa and their profession is plying ferries, which is precisely what Gandhakali was engaged in.

[[i]] Pradip Bhattacharya: Themes & Structure in the Mahabharata Dasgupta & Co., Calcutta, 1989.

[[i]] Iravati Karve: Yuganta— the end of an era (Deshmukh Prakashan, Bombay, 1969).

[[i]] P. Lal: Introduction to fascicule 19 of Mahabharata (Writers Workshop, Calcutta, 1970).

[[i]] A.C. Bose: The Call of the Vedas (Bharatiya Vidya Bhavan, Bombay, 1988, p. 262).

[[i]] In the Bengali tele-serial Draupadi (1999) this is precisely what Draupadi does, brilliantly portrayed by Roopa Ganguli. Also see Dr Nrisingha Prasad Bhaduri’s excellent study, Karna Kunti Kaunteya (Ananda, Calcutta, 1998).

[[i]] I am indebted for this insight to Smt. Suprobhat Bhattacharya, MA (Applied Psychology).

[[i]] M. Esther Harding op.cit.

[[i]] ibid. p. 125.

[[i]] ibid. p. 126.

[[i]] Pratibha Ray portrays this at length in her novel Yajnaseni: the story of Draupadi (Rupa, New Delhi, 1995).

[[i]] Alf Hiltebeitel: The Cult of Draupadi, University of Chicago Press, Vol. I, 1988 p. 438.

[[i]] ibid. p. 220, 290.

[[i]] A. Hiltebeitel: The Ritual of Battle, Cornell Univ. Press, 1976, p. 222-4.

[[i]] Vana Parva 264.1.

[[i]] Significantly, it is only Vikarna and a servant-maid’s son who voice their outrage. The epic also says that it was Dharma who protected Draupadi when she was sought to be stripped. Dharma is Vidura’s other name.

[[i]] Markandeya Purana VII-VIII.

[[i]] Vettam Mani: Puranic Encyclopaedia (Motilal Banarsidass, Delhi, 1975, p. 549. He does not provide the reference to the source of this story). M.V. Subramaniam: The Mahabharata Story: Vyasa & Variations (Higginbothams, Madras, 1967, p. 46-47).

[[i]] Bankimchandra Chattopadhyay: “Draupadi” in Bibidha Prabandha Part 1, 1887.

[[i]] A term used by Dhritarashtra to describe Draupadi in his lament in the Anukramanika Parva, sloka 157.

[[i]] Hiltebeitel, op.cit. p. 291, Vol. 2, 1991, p. 400.

[[i]] Hiltebeitel op.cit. vol. I, p. 293

[[i]] Indira Chowdhury: “Rethinking Motherhood, Reclaiming a Politics”, Economic & Political Weekly, XXXIII.44, 31.10.1998, pp. WS-47 to 52

[[i]] Kalika Purana, 49.67, Nababharat Publishers, Calcutta, 1384 BS, p.462.

[[i]] Amreeta Syam: Kurukshetra (Writers Workshop, Calcutta, 1991, pp. 38-9)

[[i]] Chandra Rajan: Re-visions (Writers Workshop, Calcutta, 1987, p. 12)

[[i]] The Bengali tele-serial Draupadi dwells upon this issue.

[[i]] Naomi Wolf, best-selling feminist author and advisor to the American President and Vice-President, in Promiscuities quoted in TIME, 8 November, 1999, p. 25.

[[i]] Barbara Taylor Bradford: A Woman of Substance (Granada, 1980)

[[i]] Quoted in “Kore” in Introduction to a science of mythology, C.G. Jung & C. Kerenyi, Routledge, p.141-2.

[[i]] C.G. Jung: “The Psychological Aspects of the Kore” in ibid. p.222.

[[i]] ibid. p.239.

[[i]] C.G. Jung: The Archetypes and the Collective Unconscious, Routledge, p. 28-29.

[[i]] ibid. p. 31.

[[i]] Mother India, June 1995, pp. 439-443.

[[i]] Op.cit. Note 32.

[[i]] ibid.

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