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Mukesh Williams
Tokyo, Japan

Mukesh Williams is a professor of English in the Faculty of Letters at Soka University, Japan. He is also a distinguished poet, fiction writer and a political analyst. His poems have appeared in Campus Poetry, Youth Times, Indian Verse, The Journal of Indian Writing in English, Muse India, Udichi, Indian Verse, Impressions, Kavya Bharati, The Istanbul Literary Review, Centrifugal Eye, Autumn Leaves, Forward Press UK, Asahi Haikuist Network, Poetry Plaza, The Blue Fog Journal of Poetry, Foliate Oak, Plankton, The Daily Mainichi, and Best Poem: A Literary Journal. His short stories have been published in The Copperfield Review: A Journal of Historical Fiction. His works have been quoted in reputed journals around the world. Professor Shyamala A. Narayan mentions his book Nakasendo in an article entitled ‘India’ in The Journal of Commonwealth Literature, Volume 42, Issue 4, 2007.
 
Formerly of St. Stephen’s College, Professor Williams has a doctorate in Contemporary American Literature from the IIT Delhi and has worked with late professors Leslie A. Fiedler and William Mulder. He did his M. A. in English from Allahabad University and Senior Cambridge from St. Joseph’s Collegiate Allahabad, both bastions of British colonial education. He has taught English, American Studies and South Asia to graduate and undergraduate students both in India and Japan. He has published over fifty research papers, opinion pieces and editorials, 700 poems, 15 short stories, two academic books, and attended dozens of international conferences. He has delivered many public lectures on topics connected with Indian culture, economy and intellectual property rights in India, the UK and Japan. As a freelancer he also reports for the BBC London on matters relating to Japan and India. He is also a visiting faculty at Keio University, Japan.
 
His literary career spans many decades. His early poems and short stories appeared in the early 1980s. His first book of poems, Nakasendo and Other Poems was published in 2006 and his second book Moving Spaces, Changing Places, a collection of 123 poems, came out in 2007. As one literary critic has pointed out his poetry reverberates with the unrealized potential of the universe and captivates the reader with its mellifluous sounds and linguistic prowess. Professor John G. Cawelti of the University of Chicago finds his poems very expressive and moving especially the way he blends Greek allusions with Indian stories to evolve universal human feelings of love and longing. One of the early reviewers of his poems finds echoes of Pound, Eliot, Tagore and Ogiwara Seisensui in his poetry. Williams' evocative lyricism and controlled cynicism makes him a truly postmodern poet who captures and represents the pulse of our times. Mandira Ghosh writing in The Journal of the Poetry Society (India) sees in Nakasendo a unique configuration of Japanese and Indian cultures.
 
His third co-authored book, Representing India: Politics, Identities, and Literatures, was released by Oxford University Press in January 2008 and since then has been favorably reviewed in Business India, Muse India, The Telegraph, The Hindu, Boloji.com, Amazon Canada and Literary India. He is now working on the history of Indian expatriates in Japan, the oral history of the Indian partition and a collection of poems entitled The Figural Moment.
 
Williams was selected as the UNESCO Poet 2008, chosen as a Featured Poet August 2008 by The International Library of Poetry 2007, interviewed by Karla Linn Merrifield in Centrifugal Eye, 2007 and Rohit Wanchoo in The Copperfield Review 2009 and reviewed in many newspapers and journals. He is listed in the World Poetry Directory UNESCO 2008, Marquis Who’s Who in the World and the Encyclopedia of Indian Creative Writers in English 2010. He is the international advisor to MELUS India. He can be contacted through his blog site

Blogs

Foucault’s Terminologies
Poetry

A Challenge
A Dog Barking
A Finale
A French Café
A Full Rhyme
A Homily
A Lament
A Love Song
A Monologue on Reality
A Monsoon Evening in India
A Naked Ascetic by Prayag Sangam
A Passionate Song
A Prayer to River Ganga
A Real Gift
A Spider's Skill
A Strange Story of Questions
A Substitute Death
A Threshold
A Turning Point
A Wish for the Dragonfly
Acquiescence
Adorable Lies
All Saints Cathedral, Allahabad
Alone in Tokyo
Always Me
Ambrosial Ganga
Ancient Indian Ballad Chitra! Chitra!
Answering Questions
Apathetic Goddess Ganga
Aphrodite
April Sakura
Arbitrating Peace
Bamrauli Fairchild Packets
Beauty
Being
Belief
Beyond Luminous Consecration
Beyond the Dragon
Beyond the Shadows
Bhairon Mandir
Bhakti, Shakti, Mukti
Birth
Bit Between My Teeth
Bogus Fraternity of Tokyo
Buddha's Beadwork
Butterfly, Firefly, Cicada
Cambridge and Allahabad
Carnal or Spiritual
Chandni Chowk
Change
Chaos
Chitrakoot Ghat
Christmas Expectations
Christmas in Tokyo
Clarity of Perception
Close the Door
Cogitating the New Year
Concoct an Excitement
Confabulation
Confessing a Miracle of Release
Consummate without Regret
Dauntless Nemo, The Monster
Desire Haunts Like Summer Heat
Dev Sahib, Uff! Yun Maa!
Dickens in Our Hard Times
Discreet Ganga
Divine Expectations
Divine Fantasies
Doab Sunset
Dreaming
Dreaming of Christmas
Ek Minute Please!
Emerge from Underground
Falling Snow
Fantasy Debut
Finding Basic Nature
Fireflies of Ongata
Foreign Lands
Forget
Forgiveness
Frogs Croak
Frogs Snuggle
Ganga At Dawn
Ganga Jal
Ganga Jal
Ganga Maiya, The Divine Deliverer
Ganga Moksha
Ganga Moksha at Haridwar
Ganga Putra
Ganga Release
Ganga's Point of View
Ganga, A Quid Pro Quo
Ganga, Conversing with the Gods!
Ganga’s Carnivores
Ganga’s Indemnity
Generosity
Glowing Shadows
Gob-Smacked Me
Growing Old by The Sea
Har Har Gange
Haridwar
Harish Chandra Ghat, Varanasi
Highway Driving in India
How the World Has Changed
How to Find Yourself
How to Live?
Huntington Road, Cambridge
I Believe in Santa
I Shall Know All is Not in Vain
In Contempt
Indian Cities
Indira Gandhi
Infinite Ganga
Is Success the Only Deity?
Isla Vista After Dark
Jai Jai Gange
Journeys
Kamakura Buddha
Leave Me Alone
Literature is...
Live Life
Lord Shiva: Mahamrityunjaya Mantra
Love Thy Neighbor. Really!
Love Thyself
Madhubala
Making Impossible Possible
Making Sense of this World
Mango Chutney
Manikarnika Ghat
Mapping the Partition
Memory
Mother
Mother Ganga's Embrace
Motivations
Mount Fuji
My Ancestor Doraemon
Ne Plus Ultra!
Negotiating the Gaps
No One Understands
O Ganga, Teach Me Step by Step!
Obon Matsuri
Om Namah Shivaya
Om, Jai Ganga Maiyya
On Watching a Movie
Only a Fraction of Touch
Only Yesterday
Open Borders
Oral Histories
Origins
Our Modernity
Our Predicament
Past and Present
Performing a Language
Plum Blossoms
Poetry
Prayag Ganga at Dawn
Professing Love
Progress
Rain Constellation
Real Politick
Remembering
Remembering a Summer in Delhi
Representing India
Representing the Ganga Without Words
Rhyme, No Ordinary Crime
Rumtek Snow Leopard
Salaam Mumbai
Sannenzaka Street, Kyoto
Sea at Isla Vista
Seeing
Senryu
Sentiments of Intensities
Serenity
Shivling Sadhu
Simple Statements
Six Ways to Delude the Heart
Skin Games
Snake in Summer (Haiku)
Snow Falls
Snow Whispers
Sojourning Cosmologies
Solvang
Some Thoughts before the Year Ends
Speaking Without Alibi
Spiritual or Carnal Love
St. Joseph’s Cathedral, Allahabad
Star in the Galaxy
Stodgy Poetry
Style of Life
Suffering and Success
Summer Frogs Celebrating (Haiku)
Summer Ochre Yellow
Sutter Street, San Francisco
Sweet Liquefaction
Tat Tvam Asi
Teach Me, Oh River Ganga!
Tell Me A Lie
Tempus Fugit
Ten Questions About a Pair of Reading Glasses
The Already Said
The Brilliant Constellation
The Button
The Cambridge Tradition
The Door
The Festive Spell
The Ganga
The Ganga Mythos
The Ganga, No Ordinary River
The Gift
The Gion-machi, Kyoto
The Gomti River
The Great Skeptic
The History of Love
The House at 7 Mayo Road
The Impermanent Circle
The Moghul Lantern
The New Year’s Maze
The Only One
The Oracular Master
The Other
The Past
The Peacock Throne
The Poet and the Philosopher
The Poetry Mongers
The Pressure Cooker
The Process
The Regret of Arrival
The Sea Rising
The Sorrow of Waiting
The Sound of River Ganga
The Startled Frog
The Superior Mantra
The Surrender
The Trajectories of Reason
The Ulyssean Quest
The Vanishing Ganga
The Wandering Spirit
Things Never Stated
Those Who Can Teach
Three Cheers For Democracy
Three Ways to Cross the Ganga
Time Trappers
Tokyo after the Tsunami
Tokyo Nuclear Disaster
Translation
True Freedom
Turning Point
Two Thousand and Eleven
Under The Sacred Fig Tree
United Indian Dhaba
Venerating the Ganga
Waiting at Machida Station
We Praise Thee, O Shiva!
We Remember
Wooden Lies
Words
World Cup, The Imperial Sport
Year Forgetting Parties
Year-End Rain
Yes, You Lie

Analysis

BP and Union Carbide: Corporate Responsibility or Corporate Liability
Indian Premier League: Greed Makes Strange Bedfellows
Reevaluation of India’s Nuclear Program

Culture

Moksha in the Hindu Tradition
Snanam in the Hindu Tradition

Hinduism

Snanam in the Hindu Tradition

Opinion

American Gulliver and Lilliputian World Bodies
Beyond the Teaching of Standard English at Japanese Universities
Can Fukuda Resolve the LDP-DPJ Standoff?
Can the Japanese Medical System be Revitalized?
Factional Politics and People's Interest
Fukuda or Aso: Factional Politics Within the LDP
India-Japan Bilateral Partnership: The ‘Look East’ and ‘Vigor of Asia’ Initiatives
Indo-Japan Relations: Just Good Intentions Are Not Enough
Japan-India Trade Relations: An Unequal Music
Japanese Universities Wooing Indian Students
LDP Domination Has Stifled Debate in Japan
Modern Piracy on the High Seas
Shinzo Abe Decides to Quit
The Travails of Political Sloganeering in Japan

Photo Essays

Mount Takao: Hachioji, Japan

Places

The Inimitable Allahabad

Society

Indians in Japan
Japanese Affluent Society and its Malcontents

Stories

An English Paradise
One Last Cherry Blossom
The Golden Lizard King
The Golden Lizard King - 2

Workshop

Justice for All
Articles on Poems

The Haiku in Japanese and English
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