Home | Hindi | Poetry | Workshop | Bolography | BoloKids | Writers | Contribute | Search | Contact | Share This Page!            Shop Online

     Click & Connect : Prepaid International Calling Cards 

Introduction 
  Why Kabir?  
  Dohas 
  Love Songs  
  Mystic Songs  
  French Pages 
  Essays  
Invitation 
Feedback 

  News  
In Focus

Analysis  
Bolography  
Cartoons
Environment   
Opinion 

Columns
 My Word 
 PlainSpeak 
 Random Thoughts 
Our Heritage

Architecture
Astrology
Ayurveda
Buddhism
Cinema 
Culture
Dances 
Festivals
Hinduism
History  
People  
Places 
Sikhism
Spirituality 
Vastu 
Vithika  

Society & Lifestyle

Family Matters 
Health
Parenting
Perspective 
Recipes
Society
Teens 
Women 

Creative Writings

Book Reviews
Ghalib's Corner
Humor
Individuality
Jagoji
Literary Shelf 
Love Letters  
Memoirs
Musings
Ramblings
Stories
Travelogues

Computing
  General Articles
 
CC++ 
  Flash 
  Internet Security 
 
Java 
 
Linux     
  Networking  

Mystic Songs - 15

Na Mein Dharmi Na Hi Adharmi 
Na Mein Jati Na Kaami Ho |
Na Mein Kehta Na Mein Sunta
Na Mein Sevak Swami Ho ||

Na Mein Bandha Na Mein Mukta
Na Mein Virat Na Rangi Ho |
Na Mein Kahu Se Nyara Hua
Na Kahu Ke Sangi Ho ||

Na Hum Narak Lok Ko Jaate
Na Hum Swarag Sidhare Ho |
Sab Hi Karam Hamara Kiya
Hum Karman Se Nyare Ho ||

Ya Mat Ko Koi Birla Bujhe
So Atal Ho Baitha Ho |
Mat Kabir Kaho Ko Thape
Mat Kahu Ko Mete Ho ||   

naa maOM QamaI- naa hI AQamaI- 
naa maOM jatI naa kamaI hao.
naa maOM khta naa maOM saunata 
naa maO saovak svaamaI hao..

naa maOM baMQaa naa maOM mau@ta 
naa maOM ivart naa rMgaI hao .  
naa maOM kahU sao nyaara huAa 
naa kahU ko saMgaI hao..

naa hma nark laaok kao jaato 
naa hma svaga- isaQaaro hao.
saba hI krma hmaara ikyaa 
hma krmana sao nyaaro hao..

yaa mat kao kao[- ibarlaa baUJao 
saao ATla hao baOza hao. 
mat kbaIr kahU kao qaapo 
mat kahU kao maoTo hao..

Translation   
Neither am I Righteous nor Non-Righteous
Neither am I an Ascetic nor a Sensualist ||
Neither Do I Speak nor Do I Listen
Neither Am I a Servant nor a Master ||

Neither Am I Constrained nor Liberated 
Neither Am I Sad nor Jubilant ||
Neither Am I Distinctly Isolated from Anything
Nor Am I Identified Completely with Anything ||

Neither Do I go to the World of Hell
Nor Do I Proceed to the World of Heaven ||
All Actions are Really My Actions
But Yet I am Distinct From the Actions ||

This Truth Only A Rare Exceptional One Realizes
Such A Person Sits in Quiescence ||
Oh Kabir Don't Bring Forth Any Creation
And Don't Efface Anything Either ||  

Explanation 
This song exemplifies vintage Kabir mysticism. Since the ultimate cannot be truly described in language or by using analogies from the physical reality, Kabir uses the concept of negation as a means of instruction. Here, the master mystic shows that the contrasting polarizing forces are of a similar nature and truly the opposite sides of the same "worldly" coin. Ultimate Truth is not a balancing of these opposites but actually beyond. 

It is made clear that the path of righteousness is as binding as the path of non-righteousness, because worldly matters veritably drive both of these. According to Kabir, an ascetic is as far from the ultimate as an utter materialist, as their focus continues to be on the physical reality - the ascetic goes to great lengths to negate or move away from it, while a materialist seeks it with relentless persistence. By negating these polar views the song indicates an approach that tries to do neither - leading a natural and spontaneous existence where the path emerges as the journey proceeds. 

In such a state of detachment, the person is identified with the constant observer within, and therefore realizes that he is neither the one speaking or listening. He is not the master who commands nor the servant who obeys, but really the consciousness that unifies everything. Since this observer self is the superset of everything, it cannot be constrained by anything because there is nothing outside of itself to be constrained by. If there are no constraints, then there is no question of liberation either. Also no desire to see a certain reality manifest implies no jubilation or sadness. However, lack of jubilation does not mean absence of happiness.

Here Kabir also clarifies that since he is in a state of oneness he cannot be characterized as different from something or identified with something - because there is no-thing other than him. He also makes it clear that heaven and hell are just mental realities and comparable to dream-like states that one experiences in sleep. Such limited experiences are not, however, in the realm of his aware and awakened state.

He describes his state of oneness by saying that he is not the doer of the actions but, at the same time, the actions would not be possible without him being there. Since he is identifying himself with his invariant Self, there can be no action. For example, the deep of the ocean in not in any form of action or commotion even though a typhoon maybe raising havoc in the form of colossal surface waves. But those waves are possible only because the depth of the ocean actually exists. 

After giving these attributes of his state of identity with the ultimate, Kabir says that only an extremely rare person realizes this truth. Most people are enamored by the physical reality. Then others who try to go beyond get caught in the internal states of mental realities, including visions, which soon become desires to be fulfilled at the physical level. Being bound to their visions they are as vulnerable to desires - much like a person seeking physical comfort. Only a very exceptional person is able to realize the fallibility of such transient realities; and a person who is able to fully grasp this truth then attains a state of peaceful bliss. 

Having understood all this, Kabir reminds himself not to get caught in the web of illusory creation and dissolution, that has so successfully entangled almost everything and everybody. 

Maalok
Illustration by Vaish
June 2, 2001

Index of Mystic Songs
in English

1.   Where do you search me?
2.   Penalty of embodiment
3.   With mind immersed in Love
4.   What is seen is not the truth
5.   What should I ask 
6.   Oh Unattached Being, I am a Yogi..
7.   Oh Companion that abode is... 
8.  
Who Is The Thug Who ... 
9.   This is the Village of the Dead  
10. The Swan Will Fly Away All Alone  
11. Sky is Overcast and Darkening  
12. Untainted Ram is Unmatched   
13.
Concealed Beyond the Sky     
14.
Oh Deer Graze With Knowledge...  
15. Neither am I Righteous nor non....  
16. Fearlessly I Will Sing ...  
17. ...Illusory Power to be a Great Thug  
18. What to say of talks  
19. Without a satguru Man...ignorant

Index of Mystic Songs
in Hindi

1.   Moko Kahan Dhoonde Re
2.   Deh Dhare Ka Dand Hai
3.   Man Mustt Hua
4.   Jo Deese So To Hai Nahin
5.   Kya Mangoon Kutch Thir 
6.   Avadhuta Yugan Yugan Hum Yogi  
7.   Sakhiya Wah Ghar Sabse Nyara  
8.   Kaun Thagwa Nagaria Lutal Ho  
9.   Sadho Yeh Murdon Ka Gaon  
10. Ud Jayega Huns Akela  
11. Avadhuta Gagan Ghata  
12. Ram Niranjan Nyara Re   
13. Gagan Ki Ot Nisana Hai Bhai   
14. Hirna Samaj Boojh Ban Charna  
15. Na Mein Dharmi Na Hi Adharmi  
16. Nirbhay Nirgun Gun Re Gaunga 
17.
Maya Maha Thugni Hum Jaani  
18.
Bolna Ka Kahiye Re Bhai 
19. Bin Sat-Guru Nar Rahat Bhulana

Top 
 
 

Recommend This Page!

Analysis | Architecture | Astrology | Ayurveda | Book Reviews | Buddhism | Cartoons | Cinema | Computing | Culture | Dances
Environment | Family Matters | Festivals | Hinduism | Health | History | Home Remedies | Humor | Individuality | Jagoji
Literary Shelf | Memoirs | Musings | Opinion | Parenting | Perspective | Photo Essays | Places | Ramblings
Random Thoughts | Recipes | Sikhism | Society | Spirituality | Stories | Teens | Travelogues | Vastu | Vithika | Women

Home | Hindi | Poetry | Workshop | Bolography | BoloKids | Writers | Contribute | Search | Contact | Share This Page!    Shop Online

(c) Boloji.com : 1999–2007 : All Rights Reserved
Boloji.com is owned and managed by Boloji Media Inc
Privacy Policy | Disclaimer
No part of this Internet site may be reproduced without prior written permission of the copyright holder.