Vithika  
Anju Badhwar Vora
Discovering Mystic Energy

Anju Badhwar Vora - a US citizen of Indian origin has been painting since the past 25 years. A self taught artist, she has developed a visual language which is very both personal and universal. Her art seeks to convey the very network which weaves the workings of the human mind into a collective subconscious where all identities are overlapping or merged, but when under pressure, surfaces as solid blocks of violent egoistic outbursts.
  

Playing the Strings of Life Work worn hands that played the strings, A lifetime trial in flying on wings. Now with a mystical supply of aerial potion, Ready for take-off to the unknown ocean.

What Happened? Non-violent violence to capture the soul, Of those did take to destiny foretold. Bent of iron as needed to unfold, A saga of discipline, - of metal burnished on coal.

An Eye on Time

As an artist she attempts to find the link between the mysterious and the apparent, the unknown and the known, the Godly and the human. As the boundary lines tend to blur, her work, takes on an ineffable quality.
   

Without Beginning or End

Glimpses of Divinity Reservoir of mystic energy, Tremors in a venial synergy. Circles on questionable effigy, Paradoxical contours, - with unexplainable homogeny.

On Top of the World...

In her forthcoming show to be held at Lalit Kala Akademi – Galleries 5 & 6 from October 18th – 25th,2006 Anju intends to unfold destiny's tryst with the unknown, the unfathomable in this series of works, called 'The Futuristic Mystics' - exponents of new faith in a universe designed to fulfill the path of individualistic expectations.
  

The Zen Master

Remember, How it all Began In primordial state he was caught unaware, Now finding the eyes to comprehend and stare. At Present from Past to Future, and care, For those who waited - for Time’s curtain to tear.

The Mystics stand as the symbol of energy that holds the universe together. The energy which carries in its womb, the primal experience of the Birth of Life and closely guards the secret of evolution, mystery of divinity – for those ready for the Final Transition. Anju received the highest award in India for visual arts, the National Award of the Lalit Kala Akademi, New Delhi in 1981 when she was only 19 years old.

September 10, 2006

Top | Vithika    

The Week of September 10, 2006  
Who's Hu in South Asia: Decoding India-Pakistan-China Relations by Rajinder Puri 
South Asia: China's not so Benign Strategic Presence by Dr. Subhash Kapila
Further Leaks from God by Gaurang Bhatt, MD  
Terror Tests India's Secular Fabric by Col. Rahul K. Bhonsle 
Racism in North India by Aparna Pallavi
Nazi Holocaust Lessons for Gujarat by Manjri Sewak
The Sky is the Limit for India's Growth! by Niraj Chandra   
Is the Cultural Thread Keeping India Intact? by TA Ramesh 
Vande Mataram: The Divine Melody of Dilip Kumar Roy by V. Sundaram
Vande Mataram in Recorded Song: Fable and Legend by V. Sundaram
MC Chagla: A Titan among the Nationalists by V. Sundaram 
Uttaranchal Developing on Shaky Grounds by VK Joshi  
Sex Workers Speak Out by Elayne Clift 
Faith Conquers Fear by Anjana Mehta Bhalla  
The Witty Side by Melvin Durai 
All for the Roads by Prakash Pathre 
Desire and Deviance by Julia Dutta
The Importance of being Tulsi by Rajesh Talwar
From Kavalam to Kavalam by P. Ravindran Nayar 
Michael Madhusudan Dutta: Profile of an Epic Poet Compiled by Aparna Chatterjee 
Anju Badhwar Vora  - Profile of a Vithika Artist
Save your Money and Get on the Floor by Gary Direnfeld 
Guna: More Than a District of MP by Anil Gulati 
The Woman who Died Young by Dibyendu Ghoshal 
 

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