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|Poetic Pigments of Hadaa Sendoo|
|by Dr. Arbind Kumar Choudhary|
Hadaa Sendoo who is the prominent literary luminary, and above all, the proficient editor of World Poetry Almanac, Mongolia, is the shaping spirit of the muse lovers in general and peeping poets in particular across the globe. His World Poetry: Almanac, Mongolia, is the milestone in the history of world poetry. As a poet Hadaa Sendoo is published world wide. In his maiden poetry collection ‘Come Back to Earth’ his views on life, nature, love, melancholy, suffering, death, peace, beauty etc are unfolded without fear or favor. Like Romantic poets Hadaa Sendoo is an ardent lover of natural beauty in its original colors and spirits. But he brings to light the root cause of the sufferings of the human beings and calls peace the god of this earth. His vision of love transcends the poetic grove of many a reputed love poet in Mongolia and abroad. Inspite of the immense sufferings in life the poet is optimistic that this strife - stricken earth will be filled with fragrance of Golden flowers sooner or later. His poetic wisdom stirs the kingdom for literary sensation across the globe.
To Hadaa Sendoo, Hunger likes to kiss bread, refugee likes to kiss mother land, snowflake likes to kiss grassland and the suitor likes to kiss his sweetheart. To kiss symbolizes purity, affection and emotional attachment. It is Kiss that gives intense joy to the fiancé ever in vision. The Nobel Laureate W. B. Yeats sang in the same tone long ago:
A. K. Choudhary, a poet of love, sings in the same tone in the same spirit and curses those who miss the opportunity of kiss in life. Hadaa Sendoo’s philosophy of kiss is pure and rarely reflects the vulgarity. The poet A. K. Choudhary calls it a hiss for those who miss it on time. The poet Choudhary muses in ‘Love’:
Hadaa Sendoo sings in this stanza:
The grove of love exchanges gifts of love between the fiancé and the fiancée. But the poet has used the word ‘grave of love’ where duo pillow-talkers repent for the missed past history at that time. The exchange of love supersedes the tide of many a lovely bride that is the unforgettable gift for the human beings. The poet Biplab Majumdar sings here:
The poet is conscious regarding the opportunity of life and also the golden moment of love that follows the theory once lost for ever? Hence the poet stirs the suitors to cage that golden moment on time and enjoys it in its full swing.
The poet, Hadaa Sendoo wishes to establish the kingdom of peace, harmony and universal brotherhood and calls ‘peace’ the god of the world that provides intense joy to all those who join its world with might and main. Here is a vital relation between the sun, the moon and the men. The poet sings:
Like Indian poet Biplab Majumdar, Hadaa Sendoo hankers after the fragrance of the peace in its original colors. Peaceful life is divine and superficial. It is heavenly too. The existing restlessness must be replaced by the wisdom of peace for the overall development of nation, people and ecological order. Poet Laureate Stephen Gill wishes to establish the kingdom of peace by replacing the world of anarchy, terrorism and carnage. The poet sings:
To Hadaa Sendoo Agony is the part and parcel of life because the life we enjoy here is worse than curse. Like Donne Hadaa Sendoo is not afraid of Death; on the contrary he firmly believes to join another world after he parts away from the humdrums of life here.
To C. L. Khatri, Death is not an accident. It is as natural as rain, drought or birth. To Kanwar Dinesh Singh, we keep going on with life, unheeding right or wrong for contestations of life death comes with a dazing prize. To Choudhary, Death is a long last sleep. Hadaa Sendoo’s philosophy of joining another world reveals the natural cycle of birth, death and rebirth of all living beings.
Like Thomas Hardy, Hadaa Sendoo is a meliorarist who believes in the constant modification of the society. Death is the sheath of life where tired flesh sleep eternally. But the cycle of life will go on like the rivers - Kerulen, Onon and Tuul. To Daniel Papastratou, rivers do not return again to their sources. The river of life is ever on journey. Famous poet Sahani sings in Whispering Silence:
Like John Keats, Hadaa Sendoo is an ardent lover of the pigmented colors of nature. Like Wordsworth, his heart leaps up while he takes a glimpse of:
The beauty of the Huiten Shil fires his dazzling philosophy of life. Where eternal beauty of nature provides intense joy to its climax and the poet inhales it in its full swing. Hadaa Sendoo’s ‘A Sketch of the Four Seasons’ reminds Keats’ sonnet ‘The Human Seasons’ while Keats sings;
Hadaa Sendoo paints a lovely picture of natural beauty in this stanza that stirs the poetic mind to go through it with full - throated ease.
To Mahashweta Chaturvedi the cup of misery is full to the brim. To John Keats veiled melancholy has her sovran shrine. To Choudhary, Misery is the treasury of the would - be - glory that lays ivory for the lap of the luxury. The famous poet Hadaa Sendoo becomes a romantic red bull who plows under the burning sky but never cares for the harvest he plants earlier. As an expert muser poet Hadaa Sendoo sings his song in full-throated ease:
To Keats the poetry of the earth is never dead. The greenery is prevailing everywhere. The poet observes his duty like a twinkling star but rarely wisher to get in return that is the fate of the star as well as the poet. Choudhary glorifies misery in Melody:
Amidst the eclipse of ignorance the poet Hadaa Sendoo never loses his hope for golden flower. A day will come when the earth will be turned into the dale of paradise where Ram Rajya will leg behind Ravan Rajya in all spheres of life.
The darkness of ignorance shall be dispelled once for all. Because the real temple of god is every man’s heart. When we are filled with the divine bliss we lead a divine life. A day will come whenever the purity chastity and morality will supersede the tide of many a bride of nebulosity cruelty and rigidity.
The famous poet D. V. Sahani muses:
There are some striking proverbial lines-
that provokes the sound mind for the tavern of the poetic wisdom.
Lastly I observe that his poetic tavern has not only enriched the poetic rosarium worldwide but also reserved a berth for him in the temple of the creative world. His contribution to promote English literature at the global level through this ‘World Poetry Almanac’ brings to light his poetic caliber at the climax in his creative contribution.
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